Sunday, September 22, 2013

SALE: Sarabande Jewellery Spectacular! | Side Street Studio Blog

Sale –    Sarabande Jewellery Spectacular!


Sheila Smedley’s ‘Sarabande Treasures’ jewellery is on Sale
At Side Street Studio, Oak Bay Villagehttp://www.sidestreetstudio.com/catalog/
When: Saturday 28th September
Time:  11 am – 4 pm

Fantastic bargains on Necklaces just $24, Earrings $12 and Bracelets $15.

All made by Sheila Smedley inVictoria.

Great Birthday & Christmas Gifts

Saturday, September 14, 2013

Bow Ties | Side Street Studio Blog

Bow Ties | Side Street Studio Blog
CURSOR & THREAD
Cursor & Thread was unofficially started in the ancient times of 2011 by a pair of friendly humans who enjoyed men’s accessories, but had a hard time finding ones they loved (what else was a scientist and a philosopher to do together).
BIKE BOW TIE

Cursor & Thread is based in sunny Vancouver and at the time of writing focuses on bow ties and suspenders (leaving pants and shirts up to seven squillion other brands). All products featured were manufactured in small batches, often by hand, in Canada by people you’d like. 
HOLTSPUR PLAID BOW TIE
 Bow Ties: 
  1. The biggest myth about the bow tie is that it’s hard to tie – the only people who say that have probably never tried, or they’re wisely trying to stop other potential wearers from stealing their compliment garnering thunder. Bow ties are like bikes (in only one way), once you learn how to use one, you never forget… oh, and they’re awesome like bikes too. 
  2. Secondly, the greatest thing we ever learned about bow ties is that like a good marriage, once the knot is tied, the charm often lies in the imperfections.
    Thanks for being here.
Stephen & Jen
PICNIC DOUBLE SIDED BOW TIE

Tuesday, August 6, 2013

The Elegant & Mysterious Shapes of Garry Merkel's Pottery | Side Street Studio Blog

The Elegant & Mysterious Shapes of Garry Merkel’s Pottery

August 6th, 2013 | No Comments

Gary  Merkel’s life’s body of work can simply be summed up as his taking a humble yet temperamental and sometimes complex group of element‘s provided by nature to compose his lyrical and fanciful visions to be choreographed and composed in fine white porcelain.
PORCELAIN BOOKENDS SALT & PEPPER
Often riots of colour can be juxtaposed against the metallic and ruddy earth’s simplicity of clay. Strictly dedicating himself to hand building with clean lines and precision offers him no restriction of form, function, sculpture, or pure frivolity, always sustaining a vocabulary of own voice.
WOOD FIRED FANTASY LEAF BOWL
 Place has always been of keen interest to Gary.  Having spent equal time, both in the east and on the west coast of Canada. Surrounding himself with a balance of both natural and urban beauty, reflects itself in the work making organic and manmade meld into pieces that can be both work in harmony together.  
CHIEF PONTIAC LEATHER LOOK VASE
Unapologetically he actualizes his work as stimulatory with a decorative bent. Exploring new Idea’s and working with other materials illustrate his capable skills always taking the viewer to new heights.
PORCELAIN CURLED LEAF CYLINDRICAL VASE
 His work has found itself in many public museum corporate and private collections. He exhibits widely and has shown in many prestigious events such as S.O.F.A. in N.Y.C.  and Chicago, to cultural exchange exhibitions from Morioka Japan, to Paris France. The art Gallery of Victoria recently purchased a piece of Gary’s work for their collection of  influential Canadian ceramicists.
WOOD FIRED STELLAR UNIT
Gary Merkel has been a ceramicist for twenty years. His art, which he masters to perfection, has made him well known throughout North America as well as internationally. His sculptural teapots are easily recognizable due to the fantasy and eccentricity of their form. Merkel’s work can be functional: a piece can be used to serve tea during mealtime. However, its use can be more philosophical in nature: the elegant, sometimes mysterious shapes of the piece can lead to reflection. One can say that gravity, in every sense of the word, is pronounced in the artist. The harmonious unbalance of the forms allied with unbridled imagination makes one instantly recognize the work of Gary Merkel.”( Le Sabord art magazine)

Gary now has his home in Victoria B.C. and his magnificent work can be seen athttp://www.sidestreetstudio.com/catalog/index.php?manufacturers_id=80560

Saturday, July 6, 2013

Inspired by the love of Nature | Side Street Studio Blog

Inspired by the love of Nature | Side Street Studio Blog

Inspired by the love of Nature

July 6th, 2013 | No Comments

Beach Pebbles Studio
Inspired by the love of Nature. Created by artistSharon Beatch.
The studio was started when we purchased our Island cottage in 2010.  It is located a stones’ throw away from Beachcomber Marina in Nanoose Bay on the beautiful West Coast of Vancouver Island. 
"BY THE SEA" SHADOW BOX PICTURE

Our family enjoys time strolling the secret beaches in the area and playing along the shore.  It is fun to find the interesting pebbles, sea glass, shells and driftwood and it’s great exercise to walk then carry the treasures back to the cottage. 
"LEAN ON ME" SHADOW BOX PICTURE
I have always loved doing crafts and creating things from almost nothing.  Setting beach treasures out after we got them home and washed quickly turned into visions of art.
"LOVE" SHADOW BOX PICTURE
 Some pebbles have been tumbled in a rock polisher to bring out their colors, others have been left natural to show off their powerful roughness designed by mother nature.  I create simplistic and unique shadow box pictures which to me represent love, life, family, friendship and caring- all the values we hold dear in our hearts.
"BLESSINGS" SHADOW BOX PICTURE

Some of the ideas were inspired from family and friend events like the birth our grandchild, weddings, boating, camping etc
I hope you enjoy them. You can see more of Sharons beautiful work athttp://www.sidestreetstudio.com/catalog/index.php?manufacturers_id=80556

Wednesday, June 26, 2013

How to Care for Hand Crafted Pottery | Side Street Studio Blog

How to Care for Hand Crafted Pottery | Side Street Studio Blog

How to Care for Hand Crafted Pottery

All of my pottery is hand thrown on my beloved old kick wheel, and made from a clay body that I have formulated to give my pottery the strength to stand up to the demands of everyday use (including the dishwasher). Each pot is individually decorated, using a white slip that is applied to the leather hard pot, and then using a sharp piece of wood (imagine a pencil without the lead), and I draw back though the slip to the terracotta clay to create the drawing.

DEEP SERVING OR BAKING BOWL WITH HANDLES

After bisquing the pots (firing them in the kiln to 1750 *F), I apply colored transparent glazes and the fire them again to 1950 *F. This second firing melts the glaze into a glass and produces a hard, durable clay body. With the characteristic terracotta colour.

TURQUOISE BOWL WITH PINCHED RIM


I have worked hard to make baking dishes and pie plate’s oven proof; however, certain practices for any ceramic pot should be followed:

LARGE PIE DISH

  1. Pottery which has been in the refrigerator should be heated up slowly in the oven, never on a direct flame or a direct element. If you have an electric oven, keep the oven rack up close to the middle of the oven and not on its lowest setting.
  2. Pouring liquids into a clay baking dish while it is in a hot oven can cause enough thermal stress to crack your pot.
  3. If you are reheating food from a previous meal and the food no longer covers the whole surface it is important to remember that the empty part of the pot will heat up much more rapidly that the part that is still covered with food. Spreading the food out evenly will allow for an even temperature rise.
  4. Pottery taken from a hot oven should not be placed on a cold surface. Placing the hot pot on a trivet or cooling rack will allow the pit to cool evenly and slowly.
  5. Plates and trays are not designed for cooking and baking. Their large surface area can lead to uneven temperature thought out the plate and this may lead to cracking. Plates ad tray can, comer, however, be used for gradually warming up food, as long as you remember the larger the diameter of the plate or tray the more susceptible it is to heat shock.
  6. Clay pottery when used for cooking can absorb oil over time. So every so often wash your clay pots with vinegar and rub with a paste of salt or baking soda. I rub my pots with a lemon cut in half and let the juice penetrate into the clay; this seems to prevent any sour oil smell from developing.
  7. The pots I make are used in my home everyday. We enjoy using them for a wide variety of purposes, including food preparation and presentation, baking, serving and yes, we even enjoy washing them. Each one is slightly different and bears the marks of my hands and my heart. I receive a great deal of satisfaction and pleasure from working with clay.
  8. My pots are made with the integrity and commitment of a craftsman. I believe in the value of the hand made object and I hope that the pleasure that I take in making my pots is something you can share when using them in you home.
    SMALL BAKING DISH WITH HANDLES
 You can find more of D’Arcy’s beautyful hand crafted pottery atwww.sidestreetstudio.com


Thursday, May 2, 2013

Exotic Hardwood Jewellery by Kees | Side Street Studio Blog

Exotic Hardwood Jewellery by Kees | Side Street Studio Blog

Master Wood Carver, Kees Luchs lives on the edge of the Lantzville Foothills on Vancouver Island, overlooking the Georgia Strait. In his cedar sheltered workshop, he pursues his passion of making beautiful items from local and non-endangered exotic hardwoods.
MAPLE & LACEWOOD PENDANT
Each piece of hardwood is carefully selected for grain and colour configuration, so that no two items are ever the same.
BOCOTE, YELLOWHEART & BLOODWOOD EARRINGS
Now Kees has created a new collection of one-of-a-kind Jewellery using some of the most beautiful hardwoods that he has been working with for many years. Fabulous pendants made using Vancouver Island Birds Eye Maple or Spalted Maple & Tiger-wood. Each pendant comes in its own gift box and has  a very durable cord 20 inches in length. Pendants have sterling silver attachments and a very secure lobster claw fastening.
BIRDS EYE MAPLE PENDANT
Hardwood Earrings have been made using Maple, Blue Aloewood & Purple Heart woods. The hooks and findings are made from Sterling Silver and each pair is presented in a box together with details about the artist and type of  woods used. Pendants made from Walnut wood or Zebrawood earrings look superb for any occasion.
MAPLE, BLOODWOOD & LACEWOOD EARRINGS
Kees European background and his love for elegant simplicity is evident in the clean flowing, organic lines of his all his work and is highlighted in his new Jewellery collection. Kees unique work has for many years been sold in juried shows and fine art galleries, finding homes on every continent but Antarctica.

TIGERWOOD PENDANT

All of Kees work is made on Vancouver Island.

BOCOTE, YELLOWHEART & BLOODWOOD EARRINGS

Every pendant and earrings comes with their own presentation box along with details of the artist and woods used – making for a perfect unique gift. You can see Kees fabulous new jewellery collection at Side Street Studio, Oak Bay Village, Victoria, B.C.

Kees Luchs

Friday, March 29, 2013

On Hummingbirds | Side Street Studio Blog

On Hummingbirds | Side Street Studio Blog

On Hummingbirds

March 29th, 2013 | No Comments

On Hummingbirds
They don’t sing very well, just a few squeaky little chirps and they don’t hum at all!
Their wings do the humming – they move at 20 – 80 times per second and up to 200 times per second during courtship dives.
AMBER HUMMINGBIRD FEEDER
 The iridescence of their feathers comes from a special air-filled structure that reflects light, much like an Opal. The Pacific Northwest has four kinds of hummers. The interior has Calliope and Black-chinned and on the coast, the recently arrived Anna’s. The Rufus seems to be the most common and is found throughout the area.
 Feeding Hummers
 They are sucrose junkies (white sugar). In nature they go to pants that have 25% sucrose content in their nectar. This is why your nectar should be 1 cup of white sugar to 4 cups of water. Boil for a few minutes and allow it to cool. Keep what you don’t use in a glass bottle in a fridge. DON’T USE HONEY AS IT CAN GIVE THE BIRDS A FUNGUS. Don’t use store bought nectar as it is a waste of money and has preservatives and a dye in it. DON’T USE RED DYE. The bird’s eggs will not hatch.
BURGUNDY GLASS HUMMINGBIRD FEEDER
Just use plain white sugar in a 1:4 ratio – don’t argue!
 Don’t worry about their diet, the get standard nectar from flowers. They also eat a lot of mosquitoes, gnats and spiders.
 YOU MUST FILL YOUR FEEDER RIGHT UP – this will stop it dripping. However, if you put the feeder in the hot sun the fluid will expand and drip – then stop when it cools down. If you have to put a feeder where it may drip and make a mess, just put a water filled bowl under it. A splash of bleach in the water will keep the ants & wasps away.
GREEN HUMMINGBIRD FEEDER
 The Colour Red and Hummingbirds
 To say that Hummers are only attracted to red flowers is a myth. They will go to any flower with nectar which has a 25% or more sucrose content. It is not the colour that attracts them.
 If want to see Hummers up close – just stand by the feeder and freeze. They won’t ‘see’ you unless you move.
ORANGE HUMMIMGBIRD FEEDER

 Feeder Problems
 If your Hummers have disappeared you have probably let your nectar become moldy. You can see the mould – those little back spots. The warmer the weather the faster the mould will grow – two weeks when it is cold, 3-4 days when it is hot.
 To clean your feeder use mild dish-soap and water. Rinse well and let dry. If you put your feeder out too late in the year the Hummers won’t come. The Anna’s are on the West Coast all the year round, but the Rufus arrives at the beginning of April and leaves mid July to Mid August. You will need to have your feeder up in March to attract the first arrivals.
You can find Lawrence Ruskins beautifull Hand Made Glass Hummingbird Feeders at www.sidestreetstudio.com in Oak Bay Village Victoria B.C.
RED HUMMINGBIRD FEEDER

Saturday, March 23, 2013

DIRTY GIRL CLAYWORKS | Side Street Studio Blog

DIRTY GIRL CLAYWORKS | Side Street Studio Blog

DIRTY GIRL CLAYWORKS

March 23rd, 2013 | No Comments

Potter and writer Faro Annie Sullivan has been working with clay for over a decade. For many years she worked part-time in co-operative studios in Victoria BC. With a sense of adventure and plenty of enthusiasm she opened her studio and galleryDirty Girl Clayworks in 2004.
 Her current work is mainly functional slipware decorated with text and animals. Her work is informed by historical slipware, with contemporary twists.
BEE & ROSE DESIGN MUG
dg
She uses bright, fun colours which reflect her belief that playfulness is an integral part of life. An optimist at heart, Faro tries to imbue each piece with a positive attitude. The text often reflects her state of mind. It can be fun, contemplative, opinionated, silly, and sometimes a little risqué.
DRAGONFLY DESIGN DIPPER
 Faro is excited to be involved with arts education. She is currently the ceramics technician for the visual arts program atCamosun College.
SWALLOW DESIGN TUMBLER
She has been involved with the Art Gallery of Greater Victoria as a visiting artist with the New Extremes program. She also teaches pottery at Cedar Hill Recreation  Centre.
HUMMINGBIRD & BERRY PLATE
 Her work may be found at Side Street Studio in Oak Bay Village, Victoria, B.C.

Friday, March 15, 2013

Robert Held. Canada’s finest Glass Artist Retires…. | Side Street Studio Blog

Robert Held. Canada’s finest Glass Artist Retires…. | Side Street Studio Blog

Robert Held. Canada’s finest Glass Artist Retires….

March 15th, 2013 | No Comments

Robert Held. Canada’s finest Glass Artist Retires….
Robert Held, one of Canada’s finest glass artists has now retired at the age of 70. Robert was born in California and obtained his Master’s Degree in Fine Arts at the University of Southern California.
GIVERNY BOWL - AMETHYST
Robert taught hot glass making in North Carolina and Calgary until 1987 when he moved to Vancouver establishing what was to become one of the largest glass art studios in Canada – Robert Held Art Glass.
MEADOW FLAT CRUCIBLE VASE
Robert used techniques that dated back as long ago as 2000 B.C. Some of his works were inspired by the paintings of famous artists such as Monet and Klimt while other pieces reflect beautiful fields of poppies or summer meadows.
MOSAIC CONE VASE
Robert’s work is featured in collections of Her Majesty Queen Elizabeth 2, The Governor General of B.C. and the Roland Michener Collection.
CALIFORNIA POPPY TEARDROP VASE
In 2008, at the start of the 2008 Beijing Olympics, Stephen Harper presented a magnificent bowl created by Robert Held to the Premier of China on behalf of the people of Canada.
CALIFORNIAN POPPY FROSTED TEALIGHT
Robert retires to Parksville on Vancouver Island where Side Street Studio wishes him a long and most enjoyable retirement.

CALIFORNIA POPPY TEARDROP VASE